‘He was an American so it seemed only fair to shoot him.’ The best opening line to a book I’ve read in ages. Tears are rolling.
— Katherine Brown (@kabrown4) April 28, 2017
Needless to say, I picked up the second of Mark Gatiss’ novels, and the protagonist Lucifer Box leapt off the page. Lucifer is so damned sarcastic, and I do love a bit of wit. There was context as well; I’d just finished ‘Slade House’ and was more than a little bit wired up, so I thought I’d make a start on ‘The Devil in Amber’ in order to lighten the mood (and ensure I didn’t need a nightlight).
One line was enough to ease my tensions about attics. One line; quite remarkable really. And the next day, when I did venture to the second line and quite a way beyond because it isn’t easy to put the book down (I really should stop tying books to myself as if they are mittens) I was once again hooked in by Lucifer’s adventures.
It is twenty years on from his romp in ‘The Vesuvius Club‘; he might a bit older, but still young at heart, and just as fun. I would say that the tone of the book is a little bit more serious, but it reflects that Lucifer Box has had experiences in the intervening years between the books (mostly World War One) that have matured him.
Though thankfully not too much; there is still plenty of wit and a few silly names, not least Lucifer’s sister who makes a prominent appearance and is called Pandora. (I’m ashamed to admit that it wasn’t until I’d finished the book that I realised the reference- no need to face-palm, I’ve done that myself already. Several times.)
The serious tone also flatters the subject matter better. The light-heartedness in which Lucifer dealt with the murders of the Vulcanologists suited the Edwardian Era and nature of the story Mark Gatiss told in his first book. Dealing with 1920s fascists and satanists who want to summon the devil does need to be a bit more serious in tone. The book is still fun and addictive to read, but it is respectful of history as well.
This seriousness and the slightly bittersweet tone of the protagonist lamenting not being quite a young as anymore is what makes me love this book. Except it is a different sort of love than the thrill I got from the first novel, which I fell in love with because of the vibrancy. This is more of a settled love; the sort you feel over time after you’ve got to know someone and are more comfortable with all their quirks and foibles.
When I reviewed ‘The Vesuvius Club’ I remarked upon how much I enjoyed getting to know Lucifier Box’s distinct character voice. It’s why he leapt off the page from the very first line. The groundwork of establishing the character in the first book paid off, because in the second novel Lucifer Box’s adventures held onto my attention from the first to the last line with minimal effort. I wanted to know what happened next because I already loved the character.
I enjoyed the story of the first book as well, but the plot of The Devil in Amber is even better. Lucifer was persecuted in the first book, but this time the threat to him is more personal, and the devilish plot to end the world much more sinister. There is a move from the slightly steampunk nature of the evil grand plan in ‘The Vesuvius Club’, to a supernatural threat in the second. Given Mark Gatiss is a talented writer he pulls of the change in which speculative genre to delight us with masterfully without the books ending up disconnected.
Can’t wait to read the third and last (sob) Lucifer Box book, ‘Black Butterfly’.