Tag Archives: science fiction

Film Review: Valerian and the City of a Thousand Planets



When I went to the cinema to see this film I was left deeply uncertain as to whether I had liked the film or not. I tried a couple of times to write a review back then, but I just couldn’t put into words what had bothered me about the film. When I re-watched it the other week I figured out what it was I don’t like.

I don’t like the title.

It’s a strange thing to have bothered me, but the reason is very much because the title places emphasis on Valerian, when the film itself is centred around both Valerian and Laureline. And why does the film centre on two protagonists? Because the comic book ‘Valerian and Laureline’, which the film has been adapted from, does so.

My problem stems from the fact that Laureline is likeable, whereas Valerian, while he certainly has his heart in the right place, is a bit dubious in his attitude at times. I don’t think it helps that there is no chemistry at all between these two characters; the actors didn’t make me believe that these are two people in love. In lust, on Valerian’s part certainly, but not in love. Skewing the emphasis from one character when it was really about two bugs me, especially because it is skewed towards the man, when in truth I much prefer Laureline.

That little quibble aside though, it is actually a really good film. The story slows down in places and goes off tangent from the main plot, but it does keep going, and it does get to a satisfying conclusion in the end. Generally as a writer I judge a film on the plot and the characters, and while they could have been better in this film, the film makes up for it because of another important factor that is crucial for science fiction to work properly. The storyworld.

The settings in this film from a lost paradise, to the market in another dimension to the City of a Thousand Planets which itself gave a multitude of different environments kept my attention on the screen. It is an imaginative extravaganza and I love this film for doing that.

Admittedly, saying that makes me a hypocrite. Generally I bash films for using their special effects to wow me. However, because they did have a decent and fairly original story to entice me in as well (makers of Avatar take note), it sits better with me that they used green screen to create a very different world from many I have seen on screen before. In many cases the setting was relevant to the plot as well, so it wasn’t like the filmmakers were boosting ‘look what we can do’ without reason.

The plot might slow down in places and the title is a bit deceiving in who the main character is, but this is a fun action packed science fiction film set in a very futuristic world, and in terms of utilising imagination, it definitely wins points for that. The overall message from the plot is certainly to be commended. (Slight spoiler – it is about forgiveness.)

Film Review- Star Wars: Episode 8 – The Last Jedi



‘Hope is like the sun.  If you only believe in it when you see it you’ll never make it through the night.’

General Organa, quoted by Vice Admiral Holdo and Poe Dameron.

‘The greatest teacher failure is.’

Master Yoda.

The first quote is utterly beautiful, and I will refer back to it for years. The second is a philosophy I have always tried to live by; if I do something wrong, I have learnt a way that doesn’t work.

The theme of this film is failure, which is exactly what the filmmakers did as well. They failed, because I can see their puppet strings. I can see their influence over the characters in order to make the plot they wanted work.

Let’s go back to that first quote; Vice Admiral Holdo is not a stupid woman, yet for some reason she doesn’t tell anyone on board the plan. She doesn’t tell them there is a base nearby, which they can all escape to in order to survive. Instead this woman who demands that Poe Dameron should trust her, gives him absolutely no reason to do so, because she clearly doesn’t trust any of them. Except, you wouldn’t become a Vice Admiral under General Organa by displaying any of these tendencies. You most certainly wouldn’t be her friend.

The puppet strings keep Holdo quiet, because for some reason that is how the filmmakers wanted Finn and Rose’s plot to be able to happen. And it was a great disservice to Holdo, Poe, Finn, Rose and even to Leia.

I normally delay my posts about new Star Wars films in order to give people the chance to see it and not have it spoiled. Unfortunately, in the case of ‘The Last Jedi’ I have delayed it for a different reason. The first time I saw it I absolutely hated the film, and it is solely because of the above plot point. I needed to think about it, and see it again so I could discuss it properly.

Fine, Holdo might not have trusted Poe because he disobeyed orders and destroyed the Dreadnaught. Equally though destroying the Dreadnaught extended the life span of the Resistance, because if they hadn’t the Dreadnaught would have followed with the First Order’s new tracking technology, and with it’s big guns could have destroyed the rest of the fleet. Poe was proved right pretty quickly that they needed to take that opportunity to destroy the ‘fleet-killer’, even though the cost was high.

When a leader like Holdo can no longer see the hope in the faces of those around her and there is a brig full of people being charged with attempted desertion, and the man everyone rallies around is asking to know what they are going to do, someone like Vice Admiral Holdo would tell them. Hope is not something physical you can always see, but the point of great leaders is to inspire hope when hope is needed, which is why people were easily swayed into committing mutiny by Poe. Leia and Holdo have strong faith, but the very fact Leia wanted Luke back as a spark of hope for those who have weaker faith is very telling of just how much hope they all needed.

But the filmmaker’s puppet strings were used to stop Admiral Holdo from telling Poe Dameron the plan, because had she told him the plan, half of the film then wouldn’t have happened, or at least it wouldn’t have happened how it did.

Had Holdo told Poe the plan was to aim for an old rebel hideout, when Finn and Rose went to him with their knowledge, then he would have taken them to Holdo and a better plan of action could have been put in place as a back-up plan in order to save the one ship they had left that had shields and weapons. The entire sub-plot involving Finn and Rose could have been better; the former storm trooper and the girl who works behind pipes all day could have a proper plot, not what felt like a slapdash afterthought.

Had Finn and Rose gone on an authorized mission, they could have taken an experienced member of the Resistance with them to advice that parking on the beach is a crap idea; that running around a high stakes casino and blatantly looking like you don’t fit in is a bad idea; and that you need to retrieve the person you have been sent to retrieve because a friend you trust, trusts them. Just retrieving someone else you don’t know who you met in a prison cell (I repeat in a prison cell) is a bad idea!

The theme of failure needed to be explored, because failure is a great teacher like Master Yoda says, and it is also a very good way for writers to develop character arcs, but it was forced. And the only reason I can think they wanted to do it the way they did was so Benicio del Toro could play a complex, double crossing, slightly mysterious code breaker. Apparently that was more important, so they had to make Finn and Rose incompetent, shallow characters, which they aren’t, in order for the meet-cute with DJ to happen, and to override their common sense by playing up their desperation.

Personally I don’t know why DJ couldn’t be the one Maz Kanata trusted in the first place? True, she has a lot of experience and wouldn’t be easily fooled, but other aspects of this film talked about how people are not perfect, they are not legends. So why couldn’t there be a character in the Star Wars universe that proves even Maz isn’t right all the time? I mean Kylo Ren manages to fool Supreme Leader Snoke in a spectacular twist, so why couldn’t DJ be someone who would betray Maz’s faith in him?

Tip for filmmakers: it is fine for your darlings to fail, however if you set them up to fail through incompetent writing they don’t fall as far. If you set them up doing everything right, with everything going their way and then pull the rug out from under them, not only are you more respectful of your characters’ competence and determination, the impact of failure has more resonnace with the characters and the audience. If you set it all up to make the ending you want work and do so by making characters act out of character, what actually happens is you end up with a character like DJ, whose lack of loyalty is so predictable you wouldn’t have been able to lay a bet on whether he’d sell the Resistance out to save his own skin because it was a dead cert.

I’ll stop now, because just thinking about how badly executed the plots surrounding the Resistance were executed riles me up (I can’t even bring myself to mention Captain Plasma because I might wear out my caps lock function discussing her abysmal cameo), which is a massive shame, because otherwise the film is utterly brilliant, with some spectacular cinematography and as always a soundtrack by John Williams, which proves why he is the best at what he does.

Chewbacca falls to the wayside a bit with the Porgs (who only exist because puffins are real and if you film at one of their nesting grounds, they turn out to be hard to CGI out; good excuse for something cute in my mind), but Chewie’s there when he needs to be, and gets to hug Leia this time so it’s not all bad.

The storyline between Rey, Luke and Kylo Ren is brilliant. The filmmakers nailed it. There are still a few unanswered questions, and a few questions that got answers which may not necessarily be true, but it worked. I feel as if Rey may have forgiven Kylo Ren just a little bit too quickly for killing Han, but the time scale of the film meant she had to turn to Kylo Ren as quickly as she did because Luke was slow on the uptake and too haunted by the past to want to help her find what she is looking for: someone to show her what her place in all this is meant to be.

And in the Red Room she finds her place; she may have let her naivety lead her to that room, and her certainty about being able to save Ben Solo might be misplaced, but she doesn’t let her failure deter her or blind her to what’s needs to be done next if she can’t rely on Ben Solo to help her save the Resistance. Unlike Kylo Ren who looses focus because of his anger and hatred, in moments of clarity she finds her practical instincts kicking in. Jakku might have been no-where, but it was a good training ground for teaching someone how to survive on nothing, which is what the Resistance needs.

The resolution of Rey and Kylo’s storyline will make the next film very interesting indeed, hopefully sans puppet strings, and lots more sly looks from General Hux in Kylo’s direction that clearly say ‘Really, you want to do it that way? Okay, it’s not a good idea but I don’t want to be force-choked.’

Essay: My Many Selves as a Geeky Fan


I’ve been thinking a great deal in recent months about what it means to be a fan; bear with me, I think a lot, I write it all down, and I’m not averse to an unhappy ending. This essay is the story of who I have been all my life; I am a geek. I’m not just a geek, but that aspect of who I am has evolved over the years and is a large part of my life.

For the first time ever though I’ve evolved because of other fans and I’ve been hurt by that change. For you to understand my heartbreak you need to know the context that came before.

The Early Years


I can remember being an obsessive person from a very young age. As a geek, it started with the Ewok cartoons, before I even knew about the Star Wars films. I was also into ‘Back to the Future’, something I have since identified as being one of my first real obsessions a one, unlike the Ewok cartoons, I am still captivated by.

I’ve always been relatively secure in my interests; if I had periods of trying to conform to ‘normal’ because of peer pressure then they were short lived. I know they did happen, and generally speaking they stopped because I was bored.

I was the kid that got called a geek, a nerd and a swot. When I was younger that hurt. Then, when I was about twelve and I turned around to someone shouting it at me with a simple reply; ‘And?”. They were confused; ‘So what if I’m a swot?”. It didn’t stop them from shouting it at me for a while, until they realised it didn’t bother me. They started shouting other things instead, but that’s different. I was sure of myself and my interests, and it stopped hurting.

This was before the internet and social media were all the rage; I spent my teen years having hushed conversations with friends about whether Next Generation, Deep Space Nine or Voyager was the best Star Trek Series (for which the answer is Deep Space Nine), or whether the Klingons, The Dominion or the Borg were the best villains (despite previous answer, The Borg, hands down). That was about as much interaction as I had with other people about geeky things; I talked with like-minded folks, who also had things like ‘swot’ shouted at them down the corridors.

And I never considered myself lonely; I had friends for other reasons. Being a geeky fan was an entirely different part of my life. It had more to do with my parents than with my peers.


The first time I saw the Star Wars films was when they re-released the films in the cinema in 1997, branded as the Special Editions of the Original Trilogy. Like the generation when Star Wars was first released, I got to see it for the very first time in the cinema.

My parents introduced me to Star Trek. I can even remember being excited about the last few series of Deep Space Nine and Voyager broadcasting for the first time. It’s the same with Stargate SG-1, which I think we watched because of me and my love for the fact they combined science fiction with Ancient Egyptian mythology.

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And then there is J.R.R. Tolkien. I was never taken with ‘The Hobbit’, which I read as a child, so Tolkien was a bit of a mystery to me overall. All I knew was that ‘The Lord of the Rings’ was one of the few books my dad would read again and again. I can remember seeing the trailer for The Fellowship of the Ring, and being intrigued by the fact my dad was excited by it. And then I saw the film for the first time. Wham! In the space of 178 minutes, I became a fully-fledged fantasy fan as well as a sci-fi geek.

It was my first evolution; it changed everything. I still didn’t like ‘The Hobbit’, but I devoured ‘The Lord of the Rings’, its appendices, and swiftly moved onto ‘The Silmarillion’ and ‘The Unfinished Tales’. It made me take interest in Harry Potter. I discovered Trudi Canavan. The Chronicles of Narnia, which I had already loved as a kid, became even more important. As a writer now I write about magic, and it is all because of Tolkien and Peter Jackson.

It was also the beginning of my passion for special features; how it was made, how they did it, how the actors felt being part of the production. I read the movie guides and re-read the books again and again. It wasn’t just with ‘The Lord of the Rings’ I did this. It spread to other passions. I practically memorised the Star Trek Encyclopaedia by Michael and Denise Okuda as well.

Being a geek was something I did with trusted friends, my parents and in the privacy of my room where I could devour my interest, safe in the knowledge that no-one could stop me from enjoying myself. I didn’t know what it meant to be an introvert at the time, but knowing that now, explains a great deal about why I was a private geek. This continued on for many years.

Discovering Fan Fiction

Up until I was about sixteen the internet had nothing to do with my life as a geek. The geekiest thing I did on the computer was read the Encarta Encyclopaedia. Despite the internet becoming more popular, it was something the cool kids did.

Given they called me names in person and my books didn’t, I didn’t really gravitate towards using emails, MSN messenger or MySpace, because books were better. The first email I sent was when I started university in September 2006. I didn’t join Facebook until 2007 because my boyfriend (now my husband) persuaded me, and also set me up a personal email account at the same time.

Before then I hadn’t shown much interest; I can even remember the first time I accessed a website. It was at school, and one of the German teachers looked at me as if I was completely thick when she told us we needed to access a website and I said didn’t know how; conversation went like this.

“Miss it doesn’t seem to be working.”

“Type in the correct web address.”

“Yeah Miss, I’ve done that, but it isn’t coming up.” So I closed it down and started it up again because she thought it must have been the connection. She watched me type in the address again. I waited. “See Miss it isn’t working.” Then the look came.

“You need to press enter,” she said in an incredibly condescending tone.

“Oh, I didn’t know that,” I said. I pressed enter; it worked.

“How did you not know that?”

“Never used the internet before Miss,” I answered. The look again; I got it from quite a few classmates as well.

Admittedly, I must have been about fifteen, this was 2003 and the internet wasn’t exactly in the flush of youth anymore. I think using the internet was expected to be a basic skill. Needless to say I try and watch my tone when people admit they can’t do basic things; if you’ve never been shown then, HOW are you supposed to know?

And now I had been shown, I still wasn’t interested.

It’s rather miraculous really that I ever discovered online Fan Fiction. I’m not even entirely sure why I found it. I think it was because I’d been writing Harry Potter fan fiction (from the Marauder Era, but my protagonist was a character I created, and J.K. Rowling’s characters were just there for me to practice with). When I discovered other people did this too, it never occurred to me to join them and publish my writing online.

I was taught that sharing online was a dangerous thing to do because there were nasty people on the internet. There still are and I’m still careful, and I think the re-definition of ‘troll’ is one of the best examples of how language can be re-purposed.

It was also because I had no desire to share my stories online. If I was going to be a writer, then I wanted my work to be in a book and printed on actual paper with ink. I still want that now. I dread to think what people would have thought of my writing, because reading it back it is terrible. But it was practice. I did however have a very short phase of reading other people’s fan fiction with great interest, but I was only ever interested in Harry Potter. I knew Lord of the Rings stuff existed, but I had no interest in it.

It was I guess my first introduction to what we now call shipping. As a fan of the Harry Potter books I always thought Harry and Hermione would end up together. I still think that, but I’ve always been of the opinion that J.K. Rowling as the writer had the right to do what she wanted with her story, and I accepted that. In Fan Fiction though I was drawn to Hermione and Severus Snape ending up together.

It is weird thinking about it now, but all I can assume attracted me to it was the fact that I related a great deal to Hermione as a teenager, in the same way I did to Matilda when I was even younger. They were both girls that loved books and were rather clever, and they were accepted as such; I say the shouting of ‘swot’ down the corridor stopped hurting. It would however have been nicer to not have to hear it at all.

And Snape was for me the perfect complex character. I didn’t quite know what he was really thinking or who he was really working for; he was a mystery and I loved him as an anti-hero. At this point Alan Rickman had also been cast, and I have a soft spot for him, because I loved him as the Sheriff of Nottingham.

I cried, several times, when I learnt he had died; I do that very rarely for celebrities, Natasha Richardson having been the previous instance. All I can assume is that I liked the combination of Hermione and Snape, because as a hormonal teen, it was a weird way of having a crush on an actor.  This phase lasted probably about three weeks as a deep obsession, before I got bored and it petered away, and I went back to how I had been before; private.

There is however a reason why I have mentioned it; it was my first foray into the idea that people explore stories outside of canon. I’ll come back to that.

The University Years

I consider being a student at University as my formative years. Because in university, I met more geeks, and being into geeky stuff at university isn’t uncool. I didn’t have to talk in a hushed voice about my opinions. People in university are a lot more grown up than school kids.

I also theorise that alcohol, partying, and the freedom to do whatever you wanted outside of parental constraints but within the law, changed most people that thought being a geek was a bad thing by teaching them a lesson. The lesson being that people are allowed to be whoever they want to be. All the geeks, nerds and swots actually had a head-start on the cool kids with that freedom, because we had been free being ourselves for a lot longer.

I went out in Newcastle on my first night as a student; I was out until 3am with a girl I didn’t know but who I had to now share a bathroom with. I was also utterly naïve to partying, and I hated every minute of it. I stayed sober, and somehow managed to get myself to my 9am introductory lecture in the morning. I was bleary eyed, but I paid attention enough to discover I could be a student representative, and thus started my interest in politics, but that’s another story.

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That night, rather than go out again I stayed in reading a new book I’d treated myself to with my student loan ‘The Time Traveller’s Wife’ by Audrey Niffenegger. It is the only time I have read the book, because the context I read it in is too important for me to consider going back to it just yet (this is how I still feel ten years later). I lost myself in its pages, rather than go out to ‘have fun’ just because I could. I already knew who I was as a person, and it was the sort of person who curls up with a good book rather than light up the ‘Toon’.

I did meet people at university though, including the man that is now my husband. I did it my way though, via social interaction that didn’t involve being hungover the next day. I was bruised, but that happens in Karate. I made friends on my history course, and through my hobby, and discovered commons interests with them. With my partner, we shared our interests by binge watching box sets, and talking about geeky stuff we loved as we got to know each other.

I was no longer a private geek; I had my partner and I had friends at university that were a lot more open to accepting me as being a geek. I was also becoming a great deal more certain about the fact that I want to be a writer. This lead me to the internet.

Social Media


I have this blog, and it is the foundation stone for my platform as a writer. It links to Facebook and to Twitter. It linked to Google+ and being a good little social networker, I set myself up on Pinterest and Tumblr too; I was connected.

Google+ was the first to fall away due to it being mysterious. Pinterest never really worked for me and my blog. Tumblr just became somewhere else where I copied my WordPress posts to without much readership. It is only really on Facebook and Twitter that I’ve maintained my author platform.

Pinterest and Tumblr though become something else to me; they became the places I went to follow my geeky interests. I find crossovers amusing; there are some really great examples of fan art out there, and while I don’t participate myself I have been stunned by the creativity and dedication some people put into their passion.

I evolved again; I was no longer a private geek, I was a social media geek. I laughed alongside everyone else at the joke about the ‘basic’ girl being a bit frightened by fandoms.

I began to identify as being part of fandoms. I connected with other like-minded people. It became something that I would share with my partner; I’d even share content on Facebook with my non-geek friends as a demonstration of who I am as a person. I would laugh at, like, re-blog, pin, and tweet about things geeky that I loved. While my platform was still there for writing, it also became the online extension of the geeky part of my personality.

I was no longer a private geek, and when on this very blog I started to write reviews, I deliberately developed sections dedicated to certain fandoms. I doubt that I am alone in having done this, and I would very much correlate this rise in geeks creating content for the internet with the rise in franchises. Because why not? Fan content is free marketing. Why create something new, when what you can do instead is simply add to an existing franchise with a fandom that will go on to passionately share their fan-art and memes. Many will even go on to write fan-fiction.

This is who I became. Don’t get me wrong, I haven’t admired everything that I’ve seen over the years with wide-eyed naivety. There are things that don’t amuse me, there are fandoms that I’m not a part of, and I don’t always agree with everything shared on the internet.

I am also just not that into shipping; the foray into Harry Potter fan fiction was brief. I also very briefly developed in interest in Reylo because of one sketch by a fan. I read one fan fiction dedicated to Kylux. Then people started shipping Daisy Ridley and Adam Driver, and alarm bells went off in my head. I stopped paying attention to shipping and went back a step to crossovers, memes and great art work.

To be honest, I ashamed that I didn’t see what happened next coming from a mile off.

‘The Final Problem’


Needless to say I no longer laugh at the joke about the ‘basic’ girl being a bit frightened by fandoms. Whether she was ever real or not, the joke was real and that girl saw something I didn’t. She saw the obsession of some fans and was frightened by how intensely protective they are their interest.

I’m not frightened; I am really disappointed.

As you can see from my essay, I have evolved as a fan over the years. I was the little girl pouring over books, and watching the television with my parents. I dipped my toe here or there into the internet, before becoming a confident half of a partnership not scared to be geeky together. And then I became the social media geek.

Over the years, what I have liked has changed. I mentioned ‘Matilda’ before; I was a massive Roald Dahl fan. That faded for years until I recently read ‘Love from Boy’.

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I am still a massive fan of ‘The Lord of the Rings’, ‘The Silmarillion’, and I also like ‘The Hobbit’ films, despite the fact I dislike the book.


I have had a love/hate relationship with the MCU for years; I hate Tony Stark, but ‘The Winter Soldier’ made me fall into love with the rest of the MCU. Now though I’m a bit ‘meh’ about it because I’ve got bored.


I’ve also figured out why I’ve struggled to connect to Doctor Who in recent years because of the cancellation of Doctor Who Confidential which satisfied my love of knowing how it was made.

And there are many more; I am a Browncoat; I find joy in Benedict Jacka’s Alex Verus books. There are standalone books like ‘The Moon is a Harsh Mistress’ that have wormed their way into my heart. I’ve never blogged about Harry Potter, but Fantastic Beasts and Where to Find Them re-sparked inspiration for my own writing.

I blog reviews and I talk about my passions a lot. However, except from having the odd discussion on WordPress with other bloggers, all of which have been pleasant even if we haven’t always agreed, I was only ever really an observer of internet fandoms.

I’m really struggling to be that anymore. Every time I go on Tumblr now I leave it feeling low. I’ve pretty much stopped because instead of cheering me up and being a place of refuge it has become a place where I only find hatred. If it was not for the fact I go on Tumblr to also read about Feminism, LBGTQIA and INTJ, I might have already followed through with my deleting my account entirely.  I’ve retreated on Pinterest; I haven’t deleted my ‘Geek!’ board but it is now a private place just for me and my husband.

I want to be a private geek again; someone who talks with like-minded people in person. The appeal of being part of a fandom died a sudden death and it utterly broke my heart. There have been actual tears because I loved going on the internet and seeing that I was not alone as a geek. I even tweeted this not long ago before I’d come to fully realise and process all of my recent feelings.

Like I said I wasn’t lonely as a geeky child, but there were fewer of us. Before the internet I hadn’t really been able to discover the true richness of being able to share your passions with other people. I was able to become that person over time and through the development of technology that put other people in the palm of my hand wherever I was, provided I had enough battery and a decent 4G signal. Pulling back from what I had become hurts.

It hurts all the more, because it isn’t what I love that’s changed and changed me like it had been before. Other fans crossing the line has forced this transformation.

I have been disappointed over the years by things I love. I don’t like ‘The Half-Blood Prince’ all that much, either the book or the film. I don’t hate J.K. Rowling because of it though. I was deeply disappointed by ‘Civil War’; I don’t hate the creators of the MCU though. I don’t dislike Tolkien just because I’ve never liked ‘The Hobbit’. I might never forgive the BBC for cancelling Doctor Who Confidential, or Fox for cancelling Firefly; I don’t hate the people who made that decision though.

And I might not have been thrilled with ‘The Final Problem’ the last episode in the fourth series of Sherlock, but I mostly certainly don’t hate Stephen Moffat and Mark Gatiss because of it. I certainly don’t send threating tweets or blog on Tumblr about how the creators are now not allowed to identify themselves as being who they are because people disliked what they didn’t do in Sherlock. I don’t lash out angrily at other fans because they are fans of Sherlock in a different way, and didn’t have the same hate-fuelled reaction to the episode. I don’t believe my opinion is the only one that matters and anyone else is wrong, which therefore justifies bullying.

I have never hated a writer because they did something I disliked. I’ve been disappointed, and fine yes the first time I watched ‘The Final Problem’ I was a bit bored. I wasn’t the second time though and while it will never be one of my favourite episodes it is still better than most television I’ve ever watched. In fact I would credit Stephen Moffat and Mark Gatiss with sparking off a bit of a television revolution. I doubt clever shows that don’t dumb it down for their audience such as ‘The Man in the High Castle’ or ‘Westworld’ would exist if the foundation of modern clever television that started with Sherlock hadn’t been laid.

I will never agree with the reasons people are justifying those actions ; the creators are human beings and that in itself is enough for me to be respectful. I reserve hatred for rare examples of human beings who are actively making the very real lives of human beings miserable. I’d never hate someone because of something fictional.

The fact people are acting like this has actually made me ashamed of being a geek, something I have never felt in my life.

I shed tears when I first saw Gandalf fall in Moria; I still cry when Dumbledore dies; I struggle to watch John Watson talking to Sherlock’s grave; and the ending to The Moon is a Harsh Mistress chokes me up just thinking about it. I’ve been moved to tears many times over the years because of the books, films and televisions shows that I have let into my heart.

I never thought I’d ever cry because another fan had hurt me, but I have, and those tears have been the most painful, because they came from the very last sort of people I ever thought; the sort of people who like me probably got called a ‘swot’ or a ‘geek’ or a ‘nerd’ when it was meant as an insult rather than as a way of identifying ourselves.

Moving forward…

I detest the word fandom now; I’m seriously contemplating editing my entire blog to remove the word. If it does disappear then you know I did.

I’m in two minds about keeping my Tumblr account, and I doubt my ‘Geek!’ board will ever re-emerge as a public board on Pinterest. I’ve stopped reading the comment threads on twitter, especially on anything Mark Gatiss tweets. I’ve followed him for years, for various reasons and loved reading the commentary because many of his fans are witty and respectful. Now, I always find one that isn’t.

I don’t want to be associated with that backlash. I don’t want to be thought of as a member of any fandom, because for me the word has come to be associated with being part of the ownership of what has been created. Rather than the writer being the owner, the audience is instead, which is a very postmodernism viewpoint and I dislike postmodernism for many reasons.

Fan Fiction in the days when I developed an interest in Snape/Hermione was a bit of fun. I should have known when people started shipping Daisy and Adam, rather than Rey and Kylo that the lines between reality and fiction, canon and fan fiction have become blurred. For some people I don’t even think they exist at all.

And I think it is going to take me a long time to come to terms with the disappointment I felt when fans of Sherlock lashed out in hatred.

For now I’m just pottering along; I’m still going to blog, because I’m not going to silence my voice because I’ve been disappointed by what others have said with theirs. I’m using twitter to tweet some geeky stuff, because I’m not going to deny part of myself because other fans have made me feel ashamed.

But the most recent evolution of myself as a geek has shaken me to the very core and I’m not going to get over that easily. I also don’t see this evolution of myself as a geek being able to move forward with the sort of positive progress I have made over the years; I can’t ever go backwards, but I don’t see forwards as being an option either.

I’m stuck as a geek who can no longer entirely trust other geeks to have my back even if we have a different opinion. We didn’t all hush our voices because we were ashamed of being who we are, some of us just weren’t as confident about being a geek as others. We whispered to save those that were a bit embarrassed from being overheard by our bullies.

I never thought the geeks would become like the bullies. Maybe I am just a bit more wide-eyed and naïve than I had thought.

Book Review – The Moon is a Harsh Mistress by Robert A. Heinlein



After weeks and weeks of struggling to read because of a bad reaction to a book and an insane amount of stress which has even lead to me taking a break from blogging reviews generally, I am so happy (to the point that I want to scream it from the rooftops, but I’ll settle for a blog post) that I have not only finished a fiction book but I also want to talk about it.

I will hold my hands up and admit I could have maybe gone a bit easier on myself and chosen a slightly easier to read book than ‘The Moon is a Harsh Mistress’ by Robert A. Heinlein, because it is not a easy book to read, but it is utterly brilliant.

‘The Moon is a Harsh Mistress’ is very much a science fiction book of its time; it was originally published in the 1960s so it does have the characteristic slower pacing, long conversations and then sudden happenings that 1960s speculative fiction is know for, but unlike others of the era I’ve read, this book hooked me in and kept me hooked.

I am very much a child of epic 1990s high fantasy like the early works of Terry Brooks and Terry Goodkind and then the faster paced emergence of YA and NA literature. Reading the sort of complex speculative world-building of earlier eras (bar J.R.R. Tolkien himself) has never really appealed to me until now, and I will admit, I have been missing out.

Once you adapt to the language which has been constructed to show natural evolution and the more abrupt story-telling style, the book is an utter masterpiece in world-building, in showing how a revolution operates and in developing tender relationships between man and AI. It’s a beautiful book to read.

One of the things that I loved the most is the imagination that has gone into the world-building, or perhaps I should say the luna-building. The structure of the society that has evolved on the Moon, originally used as a penal colony before become a settlement without freedom is incredibly well thought out, and a very good example of how a society can work when women are treated equally and with respect.

The very best thing though is the character of Mike; a supercomputer that has developed AI and a questionable sense of humour. Most people might not describe the relationship he has with Mannie, the protagonist, as tender, that was very much how I felt about their story together.

As a computer specialist Mannie already has an invested interest in Mike as a computer, and their blossoming friendship in the early chapters of the book is what hooked me in. Like all friendships the strain of changing circumstances tested their relationship, and I kept reading in order to find out what happens.

If you’re interested in science fiction and speculative fiction then you should definitely add The Moon is a Harsh Mistress to your reading list, and you definitely should if you want to see how a world and society can be built up using existing norms but then evolved in a natural way to create something new.


TV Review – Warehouse 13 – Season 5



Season Five is short but sweet. It’s nice to see a show be able to wrap itself up properly. The last episode could have been a clip show, as the characters explore their defining moments in the Warehouse, but they wrote and created new clips for each of the characters, apart from Pete, who see everything because the Warehouse has given him the chance to be a better person.

It is a lovely conclusion, to the show. The last series deals with a threat that the agents might not be able to stop happening; the warehouse moving to a new country and them all essentially losing their jobs. It is heart-breaking to think that they might not being carrying on their jobs after the show ends, but it cleverly shows a final piece to the Warehouse history that the series has shown over time – why the Warehouse moves across the world. Because kudos to Warehouse 13, they may be based in America and be agents of America’s services, but they are a global show.

It was sad to see the show end, and I felt it has a great deal of potential to carry on, but looking back at everything that they achieves and the quality that they maintained from start to finish, I might be sad, but I love binge watching the series over and over again. Sometimes when shows end it is for a reason, but with season five you get an organic ending rather than a forced one, and it is a joy to watch.

Series Highlight

With only six episodes, I’ve decided to be selective – the best by a mile, and is easily one of the very best they ever made is ‘Savage Seduction’, where the characters end up in a telenovela as characters from the show, speaking Spanish and over acting. The quality of the acting in this episode is second to none, as at some points Pete, Myka and Artie are in the telenovela as themselves pretending to be their characters, and switch effortlessly to being just their characters with no idea of who they really are; all of it in Spanish. It’s just awesome.

TV Review – Warehouse 13 – Season 4



Warning – Spoilers

Season four is the longest series of Warehouse 13, and as such is split into two halves. Saying that though, despite the number of episodes I can’t do a series highlights for this post. The entire series is a highlight of the show’s entire run.

The first half deals with Artie having had to an artefact called Magellan’s Astrolabe in order to turn back time, save the Warehouse and save the world. There is always a price to pay though when it comes to using artefacts, and the storyline that develops this is beautifully crafted and performed. Brent Spiner stars as Brother Adrian, whose order protected the Astrolabe for centuries, is brilliant as he slowly haunts Artie and manipulates him to undo his use of the Astrolabe. It’s a fantastic storyline with intrigue and tragedy. It does see some hope though as Claudia is able to bring Steve back from the dead, and their friendship is able to be developed even further and they can bond closer.

The only thing I will comment on again is Leena’s character is still sadly under developed. In the mid-season climax Artie kills Leena. The characters are all distraught at her death and once they have managed to help Artie (but only after he releases a deadly pandemic and Sutton played by James Marsden, has helped Pete and Myka stop it), Artie has to live with the consequences of having killed her. Looking back you can see the value and role that Leena has in the Warehouse, beyond just owning the Bed and Breakfast, which the show develops a little bit in the run up to her death. You can also see in her final moments just how much a part of the family she is as she refuses to leave Artie in his most desperate moment.

Sadly, for me it is too little and too late. Her gifts with the artefacts and working with them once they arrive at the Warehouse is really interesting and it would have been fascinating to see her in action. The consequence being that I wasn’t upset about her death and there wasn’t anything missing from the show because of it.  It is the only criticism I have of an otherwise brilliant shows that developed well rounded characters that you grow to love. Leena is the only exception, as many of the other reoccurring characters are very well developed.

The second half of the series sees such an example with Sutton, his wife and son, Charlotte and Nicholas, developing from being an aid to help stop Artie to being the next external threat to the future of the Warehouse. Admittedly in comparison to Walter Sykes in season three who was just out for revenge, Charlotte wants to get into the Warehouse in order to reverse the process that has made her, Nicholas and Sutton immortal. To do so they release Paracelsus from the bronze sector, as he was the one who had made them immortal to start with; little do they know just how dangerous he really is and what his ambition could lead to. Anthony Head does a brilliant turn as the villain.

TV Review – Warehouse 13 – Season 3



Warning – Spoilers

The majority of season three is actually a series of very strong stand alone episodes. What has made it stronger is the introduced of Steve Jinks a member of the ATF who also happens to be a human lie detector. He becomes Claudia’s partner in the field and the development of their friendship as BFFs is one of the very best parts of the series. The conflict that Jinks also has with the authority of the Warehouse is also a key part to the story arc, which is one of the very best of the entire show.

In Season Three the Warehouse isn’t being threatened from within, but by one of those people who in the past the Warehouse has taken an artefact from; Walter Sykes. He is absolutely determined to have his revenge on the Warehouse. When Jinks falls out of line, he ends up being recruited by Sykes to help him infiltrate the Warehouse to retrieve what he believes belongs to him and to reap his revenge.

The two part series finale of this series is one of the very best conclusions to a tv series in all of my experience of watching tv. The from the very beginning of part one there is intrigue and mystery, as Sykes overall plan is slowly revealed in all of its glory. The viewer’s heartstrings are tugged in every direction as part one pulls you from thinking HG Wells is going to die, to thinking that Steve has shot Claudia, to the reveal that Steve is undercover, right up until the moment you hear Claudia’s horrified scream off camera and the slow reveal of Steve’s body. And that’s just part one, and cliff-hanger of part two leaves you watching HG Wells sacrifice her life as she produces an energy shield around Artie, Pete and Myka as the Warehouse is blown up around them. I have never wanted a new series of a tv show to start quicker than I wanted season four of Warehouse 13.

 Series Highlights

Beyond the finale, another great episode is ‘Love Sick’ which is half set in the Warehouse where Pete and Myka have been affected by artefacts which resulted in them waking up in bed together and no idea why, nor why Myka is suddenly a platinum blonde.

The past history of the Warehouse gets explored again in ‘3…2…1..’ where the fatal consequences of  Joshua’s trumpet is hunted by agents across time from HG Wells in Warehouse 12, Jack and Rebecca in the 1960s and in the present day.

‘Don’t Hate the Player’ is the second of the crossover episodes involved Douglas Fargo; this time he’s deliberately used an artefact and got stuck in a video game he’s designed based on the Warehouse. It’s funny and light hearted; a must see if you love Fargo.

TV Review – Warehouse 13 – Season 2


hg wells victorian

I love the second series of Warehouse 13, for a similar reason to why I like season two of Eureka; the characters and the premise of the show has been established which means that the writers were able to have more fun with the show and take it to bigger places.

The threat of the former Warehouse 13 agent Macpherson has been dealt with but not before he released HG Wells on the world; a Victorian Lady/ Super Genius who used to be an agent of Warehouse 12 back when it was based in London. After Claudia, HG is easily one of the best characters ever created by the show. The reason being that she isn’t a black and white character, this character is totally a shade of grey, with a great deal of motivation to make the world a better part, and also a hell of a lot of justification for being very angry about the world and how little it has improved over the century she was imprisoned in the bronze sector. She’s fabulously conflicted, and her friendship with Myka is based on mutual respect, and their conversations have very little to do with men, which was great to watch on a main stream show.

The other thing I loved about the show is that in addition to the history you get to see via the objects, you also get to learn more about the history of the Warehouse itself. You get to see Warehouse 2 in the season finale and through flashbacks with HG Wells you get to see Victorian London and Warehouse 12. You also get to explore the past of Warehouse 13 as well, with one story set in the 60s. Getting to explore the history of the Warehouse, and not just see the ‘artefact of the week’, adds a great deal of depth to the show.

Series Highlights

The first episode and the two part series finale are a must see, naturally, especially ‘Buried’ which is set in Warehouse 2.

Warehouse 13 has two crossover episodes with ‘A Town Called Eureka’, and ‘13.1’ sees Douglas Fargo, who at this point is in charge of Eureka, come to the Warehouse to update the computer system, much to Claudia’s delight. Naturally of course, this being Fargo, chaos isn’t too far behind. René Auberjonois also guest stars in this episode and gives a spectacular performance.

In ‘Where and When’, Pete and Myka use HG Wells’ time machine to transport their consciousness into two 1960s Warehouse 13 agents in order to solve a 50 year old murder case. The episode freshens up the ‘snag, bag and tag’ procedure by being set in the past where Pete and Myka have to learn to operate differently.

TV Review – Warehouse 13 – Season 1



Warehouse 13 is one of my favourite tv shows, mainly because it takes history and it makes it action packed and fun. Admittedly some of the history can be very obscure (even for me as a historian), but that is what makes it interesting. It’s not bog standard history that is gone over and over again, the writers and creators of the show dug deep and pulled out interesting people from history that aren’t normally covered by curriculum or history shows on tv.

The entire premise of the show is that all these interesting people imbued what made them special into possession the owned which gave them special powers. For example in the pilot Lucrezia Borgia’s comb comes into the hands a woman who then begins to plot and murder people in the same bloodthirsty way of Lucrezia Borgia. These objects are collected and stored in Warehouse 13 so that they aren’t a threat to the world.

The main characters of the show are Artie Nielsen who has worked at the Warehouse for decades; Pete and Myka are the new Secret Service Agents who have been recruited because as a team they have a really great set of skills. Myka is very observant with an eye for detail and Pete has intuition. Not that either of them are happy about being posted in South Dakota, with each other but they adjust. And then there is Claudia Donovan, who is super smart, confident and introduces herself to the Warehouse by hacking them and kidnapping Artie.

There is also Leena who is the owner of the Bed and Breakfast where they all stay. The only problem I have with Warehouse 13 is that they never really use Leena’s characters to her full potential. I feel as if a great deal more could have been done with the character and she’s never as well rounded as I would have liked to have seen, especially when she’s compared to the other characters who are all distinctive and well developed.

The first season of the show is very episodic, where you can dip in and out as the episodes are mostly self-contained stories. The threat from the story arc though comes from a former Warehouse 13 Agent who is determined to see the Warehouse objects be used for the greater good, but has evolved in to the greater good coming with a price tag.

Series Highlights

My favourite episode of the series is ‘Claudia’, where the character of Claudia Donovan is introduced by kidnapping Artie in order to save her brother Josh. Admittedly the best Claudia moment of the series is actually from the episode before ‘Magnetism’; she doesn’t even make an appearance but the words ‘Knock Knock’ which come up on screen as part of her hacking into the security system is brilliant and creepy as hell.

‘Regrets’ is a great emotional episode where Pete and Myka are forced to face their feelings of regret from the past, and in turn bond much better as a team.

I always love episodes that are set mostly in the Warehouse itself, with lots of objects to play havoc, and ‘Breakdown; is the first of these that Warehouse 13 does and it is excellent.

TV Review – A Town Called Eureka – Season 5



I have to admit while season five is very well written, acted etc., I genuinely don’t like it very much. The second half of season four had a very strong story arc with the Astraeus programme, but it was still very much of an episodic nature where you can dip in and out of the series without much need of knowing the continuity. The nature of ‘A Town Called Eureka’ where you are able to do this is one of the reason why I love the show so much; while it is brilliant writing it isn’t too taxing and you can genuinely relax watching it.

With season five though the story arc, of virtual Eureka and the consequences for Holly Martin, seem to be the only storylines. You have to watch the season from episode to episode and concentrate and remember what has happened. Admittedly, this isn’t actually a bad thing, this is how most series work and I’m perfectly capable of doing it, but the way I watch the show is via binge watching and I’m moving from one series to another and season five is the most taxing to watch.

The fact that the concentration seems to be on the characters and the trauma they went through, turns the show from being a comedy into a drama, and it is for the comedy about a group of scientists doing innovative experiments that go wrong that I have always watched it for. Season five become less about that and more about the characters and their feelings. While the show is great at re-inventing itself, from changing people’s jobs, to adding external threats, to changing the timeline and then making the goal to go to the moon of Titan, changing the shift from comedy to dram just didn’t work for me.

Thankfully though, I did love the last episode, and it was nice for a television show to be able to wrap themselves up properly rather than just being ended (my heart is still bleeding over Firefly so I’m very glad this didn’t happen to another favourite.)

Series Highlights

Despite not liking the series much there are some highlights, ‘Just Another Day’, the final episode is a must see for any fan of ‘A Town Called Eureka’.

‘Jack of All Trades’ is easily one of the best episodes of the series; it’s a body swap episode, and it’s one of the best ways in which the writers used the tension between the characters following the trauma of the virtual Eureka. Jack keeps body swapping with members of the Astraeus crew with hilarious results.

Another favourite episode explores the very nature of what the scientists in Eureka are trying to achieve through science, except with a twist it is not Jack who is experimenting because someone has doped him to boost his brain power so that he can compete with Alison’s judgemental family who think he’s not smart enough for her.